Bambatua Cambell
Born in the early 40's in Pintupi country Winron across
the WA border east of Kiwirrkura, Bambatu Napangardi grew up 'in the bush
living a traditional life with her family, hunting and living of the land
as the Aboriginal people did for thousands of years before her.
While visiting relatives in Balgo she met Dinni Campbell
Tjampitjinpa and got married to him in Balgo. Dinni Campbell’s older brother,
ANATJARI Tjampitjinpa, was one of the original artists painting in Papunya.
He watched the old men painting during the 70's and assisted his brother
Anatjarri for some months. By doing this he gained valuable experience
in mixing colours, laying out stories onto canvas and helping to paint.
During one of these visits to Papunya in 1981, Uta Uta Tjangala
invited Dinni as one of the men to assist him to paint a very large canvas
depicting events at the site of Yumari. To be asked by Uta Uta.to assist
in painting was regarded as a great honor. This particular painting has
since traveled the world as part of the Aboriginal Art Exhibitions. This
was the time when Dinni finished his apprentiship and became an artist
in his own right. Dinni has been painting for Michael Hollow Aboriginal
Desert Art Gallery, in Alice Springs Melbourne and Sydney since 1991.
Dinni Tjampitjinpa and Bambatu Napangardi have four sons
and two Daughters. Sadly Dinni Campbell passed away in Alice Springs Hospital
in 2000. Bambatu Napangardi has been an apprentice to Dinni Campbell for
many years. Now Bambatu has to support herself and her family. She started
painting her own dreamtime stories passed on to her by her Mother and
her Father and also her famous husband Dinni Campbell Tjampitjinpa.
The skills and techniques she has learnt from her husband
and by watching the old man pain is now applied to her own paintings.
Her works are quite typical of the old men and women from Kintore and
Papunya. Her paintings traditionally depict women’s ceremonies. The techniques
employed here tend to focus on painting in line work and dotting techniques
showing Body designs and many traditional symbols seen in Central Desert
paintings
. Bambatu loves to paint the dreaming stories of her people
and to convey them to the world. The discerning viewer will quickly appreciate
that Bambatu’s work display a canopy of brilliant color and magnificent
definition celebrating its visual splendor and precision in detail. Bambatu’s
daughter Christine Nangala is now apprenticed to her. In this learning
time, Bambatu is teaching Christine the skills she has learnt over so
many years.
Eventually the dreamtime stories will be passed on to Cristine
for safe-keeping. When the time comes Cristine Nangala will pass her knowledge
on to her children and those future generations.
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